Ian Miller would have to be one of my all time favourite artists, actually maybe only second to the great Salvador Dali.
Ian Millers style has been described as gothic, surreal and nightmarish and his lengthy and successful career has seen him doing work for H.P Lovecraft and Tolkien book covers, posters, magazines, magic card games and games workshop. He’s even done album covers for bands like the death metal group Ulthar.
A couple of years ago I got my hands on a book filled to the brim with his art and today, as I’m having the day off, I thought I’d have a proper read through.
I was pleasantly surprised to read that he had done the illustrations for my favourite author, James Herbert, on his graphic novel The City (a sequel to The Rats). I didn’t even know about the graphic novel to be honest so that was a surprise too.
As I read on further I decided I wanted to take a few snaps and share some of the amazing art of Ian Miller with my lovely blog buddies.
I find millers work to be incredibly inspiring and maybe, looking at his work, you might even see the influence it’s had on me. Probably not with my 40k Orks haha but maybe with other projects like HellGate, Turnip28, napoleonic zombies and other bits and bobs.
Who knows maybe you’ll feel inspired by his work too 😊
Cheers
IRO
Big fan too – I see a lot of Miller influence in releases like the KruelBoyz & I’m hoping to see more of his vibe in future releases 🤞
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Ah yes very true.
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Yep, I’m a big fan of Miller (much like yourself I’m also a big fan of Dali). Actually, speaking of Dali I went to a museum of his work in Paris a few years ago, absolutely brilliant stuff. One of my favourites, and well worth looking up, was a little picture of a beetle – just completely normal, nothing surreal about it at all. However if you looked at it upside down, or saw it reflected in a mirror, it turned into a self-portrait of Dali – incredibly bloody clever. Anyway, returning to Miller, it was him and Adrian Smith who defined the look of Chaos in my mind and really set me up to love those factions. I’ve seen some of his Tolkien stuff and again it absolutely fits the bill, can’t imagine a better artist to tackle Lovecraft either.
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Ahh yes I’ve seen the Beetle and funnily enough I saw it in the UK at a smaller exhibition of his in 2008. Mostly focused on his sketches. Have I told you about the link with Dali and the artwork from the War of the worlds vinyl LP artwork? If not I’ll email you. Miller is just brilliant. Actually you came to mind as I was studying the book because I’m pretty sure I saw a Khorn symbol in there
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Nope, I know nothing about the link between Dali and the War of the Worlds artwork – I am quite agog and await your email! 🙂
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Have seen his work appear over the years in GW, out of the two I preferred Adrian Smiths work that Wudu mentions, but that’s just my personal taste.
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Aww man Adrian Smith is very much up there for me too mate.
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Other favourites of mine are Boris Vallejo, Chris Achilleos, and Phillip Castle, each has their own unique style.
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I’ll investigate each one
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Jakub Rozalski is another brilliant one. I hope to, one day, build a diorama inspired by his work
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I love Ian Miller stuff too. I’ve got the James Herbert book he did- rather good. Remember buying it when it came out back in the 1990s. I also recently picked up a Tarot set done by Ian Miller. What is the title of the book you’ve got on him?
Cheers,
Pete.
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Aww
Man I’m jealous. I really want the graphic novel.
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Very cool I must say. 🙂
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One of the coolest
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Awesome…….a different side of IRO. Although your Orks and Salvador were a dead give away!
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😜
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I have a lot of art books by different comic artists, but their style is a bit different than this. Probably the closest is Kev O’Neil who recently passed. Probably my favorite British illustrator would be Russ Nicholson, who I discovered in one of the early D&D books “Fiend Folio”.
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Russ is brilliant. Loads of his pieces were in the fighting fantasy books.
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Ah yes I’ve seen Nicholson’s work before
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It was a bit of an eye opener to me when I first saw the Fiend Folio, which was primarily British illustrators. Nicholson’s work was similar, but different in its own way.
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I never knew about the graphic novel! Rats, Lair and Domain have always been 3 of my favourites. Ian Millers work is sublime. The Rivers of Death piece that graced the cover of the wfrp 1st edition is one of those that really influenced me? As was his depiction of Middenheim.
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Aww man me neither Re the graphic novels. JH is my favourite author and I have all of his novels. Not sure how I missed it
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I wasn’t familiar with Ian Miller’s work so I definitely learned something here. I’m not a fan of Dali but I like Miller’s work quite a bit for what that’s worth. I’m not sure that he inspired you though. I think he took your essence and drew it haha. It nails your hobby aesthetic so well!
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Not a fan of Dali…?
Again, it’s been nice knowing you. Take care
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His art stinks and his mustache was even worse! I figure I might as well go out with a bang anyway 🙂
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My blood is boiling but I decided to give up violence after spending too long in and out of prison so I’ve learnt to let things slide 😉
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I have seen this movie about another Australian inmate: https://www.youtube.com/watch?v=VSELr4Dk3eo so maybe I should be apologizing to you 😉
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Haha great movie but the real dude was a dickhead
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Couldn’t have said it better myself!
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Haha just jokes. Each to their own I guess. Millers work is off the charts
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Very nice to see, love the creepiness. The pumpkin men remind me of an upcoming project I will be doing for Ozz …stay tuned
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Ooohhhh I’m intrigued
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It will be a bit but you’ll know it when you see them.
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Oooh… I likes me a bit of Ian Miller. He did the covers to the Winter of the World trilogy by Michael Michael Scott Rohan, which is a good read. And I always associate him with WFRP, as he provided covers for several of the hardbacks. I love his intricate detail and cross-hatching.
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His detailing is an amazing. The more you look the more you see
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Your so right mate! he is amazing, I always wanted to put him up in one of my Fantasy Decoupages long ago but his work never seemed to fit as it was always so grand on its own.
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